Tag: #FunWithFacts

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Give Love and Attention, the Kids Will Be Fine

I’m fuming a little today over an article I read in the New York Times yesterday on “The Relentlessness of Modern Parenting.” The essay purports to explain how parenting has become increasingly difficult due to the increasing cost of child-raising and the demands on parents time, yet I couldn’t help feel throughout that the author kept undercutting her own argument. The graphs and underlying data didn’t necessarily make the points intended, the expert quotes didn’t arise out of the studies cited, and the underlying premise itself seemed misguided. In short, the argument was like a caricature of itself, and, like many articles that seem to sympathize with modern readers, did more to stoke the flames of anxiety than to soothe them.

Whose Kids Are We Talking About, Anyway?

The gist of the article by Claire Cain Miller can be summed up in the header quote:

Raising children has become significantly more time-consuming and expensive, amid a sense that opportunity has grown more elusive.
–“The Relentlessness of Modern Parenting,” NYT 12/25/2018

This is illustrated by a graph that shows annual spending on children childcare, education,&c). For those in the top income quintile, spending has almost doubled in the last 35 years. Obviously, spending on children has become prohibitively expensive–practically unaffordable–and the ROI for this top fifth of households is apparently insufficient. They’re spending so much more money and not having enough to show for it! Continue reading “Give Love and Attention, the Kids Will Be Fine”

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The Metrics of Scrooge

pictures of "A Christmas Carol"
The many versions of Dickens’ “A Christmas Carol”

What a favor I have done you, my gentle readers and Dickens lovers! I have taken it upon myself, in keeping with the situation, to evaluate the universe of versions of “A Christmas Carol.”

This was no easy task. There are four or five widely known versions of this holiday classic, but the off-versions, the non-Scrooge versions–the American, Scottish, musical, Rankin-Bass, Disney, Pixar, pop star, African-American, Canadian, mobster, Susan Lucci, British, and trailer trash versions have become plentiful, indeed!

Since the Seymour Hicks first non-silent ACC (“A Christmas Carol”) film debuted in 1935, another 43 film and television-based versions of Scrooge’s story have been produced, not counting several live once-on-TV teleplays done in the 1950s and also not including every single skit or sitcom-inspired takeoffs ever done.  (Ref. see Alex P. Keaton and French & Saunders).  My universe included anything recognized on IMDB (or Rotten Tomatoes) or on a Scrooge ten best list. Interestingly, at least five sites purported to have the complete list, but none did. Even Wikipedia under the heading “Adaptations of ‘A Christmas Carol’ only listed 25 of these 43 adaptations of “A Christmas Carol.”

Meanwhile, I have cracked my ol’ Excel Ninja knuckles and settled down to pivot table away to provide some Fascinating Analysis ™of these versions. Continue reading “The Metrics of Scrooge”

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The Origins of Greensleeves and Syphilis

Greensleeves illustration
Greensleeves illustration by Walter Crane. Based on a theme written by ??

This may not seem like a holiday-themed post, but in the theater of mad decorating that took place at our house last week, listening to Christmas carols led to all sorts of topics. One of my favorite carols popped into the mix: “What Child is This?” played by Vince Guaraldi on The Charlie Brown Christmas CD.  Naturally, the song led to a discussion of “Greensleeves” which naturally led to… anyone? anyone? Henry the Eighth… which naturally reminded of something I recently learned about syphilis.

The Earworm Virus of “Greensleeves”

The lyrics to “What Child is This?” were written as a poem by William Chatterton Dix, who mused on what the magi might have said besides, “Where the Holiday Inn?”  Dix was an English insurance company manager whose near death illness invoked a spark of divine inspiration so intense that he began writing poems like “The Manger Throne.”  At some point, when a hymnal was later created in 1865, his poem was set to the ‘borrowed’ tune from “Greensleeves.”

The little ballad, played by strolling bards at Renaissance festivals and the more famous pick-up lute quartets, had been around for nearly three centuries. The song has long been attributed to Henry, and the legend goes that he wrote it for Anne Boleyn as she was rejecting his advances. Continue reading “The Origins of Greensleeves and Syphilis”