R.U.R.F.R. Are You Ready for Robots?

Creepy? Silly? Big Brother? Futuristic? The Beginning of the End? The Signal for the Singularity from which the Terminator emerges?

Malibu Security Mart Robot, photo from Roland Woerner

Mobile security robots are popping up with increasing frequency at gas stations, malls, and casinos. It caught my attention when this morning’s news had a snippet that Huntingon Park is installing a “robocop” to patrol city streets. Another story from CBS Los Angeles back in February asked, “Is 2019 the Year Robot Security Guards Go Mainstream?” Whether we label them robots, bots, nanos, androids, automation, or Big Brother, the permeation of programmed surveillance throughout our culture is something that requires continuous vigilance and assessment.

Robocop from 1987, photo from filmschoolrejects.com

Imaginary Cautionary Tales

Like many, I find the increasing examples of robo-guards disturbing, in part because there are so many stories about robots gone haywire. Reference to the word “robocop” immediately conjures up Paul Verhoeven’s 1987 dystopian tale of a privatized military and a militarized police force. Will Robinson’s companion robot from Lost in Space, the show I grew up watching, was originally programmed to sabotage the ship and murder the humans. Even when the robots are cute, like in Wall-E, there are often mastermind machines behind the scenes determined to tame or neuter humans. See also Oblivion. See also Forbidden Planet. See Iron Giant, Westworld, well, just see this handy list from BuzzFeed.

The word “robot” comes from a 1920’s Czech play by Karel Capek called R.U.R., which stands for Rossum’s Universal Robots. Capek coined the word roboti as a deliberate reference to the Old Slavic word rabu or slave. In the play, humans are producing robots (androids we might say, since they have human features and characteristics) originally to take on menial work. But the humans start to die out, the robots rebel, and they are left to restart the world in their image.

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Cleopatra & Godzilla: With or Without Backstory?

Most decidedly epic.

Cleopatra arrives in Rome, photo from 1963’s Cleopatra, 20th Century fox

I had the opportunity to watch both the 1963 Cleopatra and 2019 Godzilla, King of the Monsters this month and found myself loving them both. They share eerie parallels. Both are expensive movies, which also were wildly popular despite getting horrid reviews. Both reflect on the past and are engrossing films, even if you bring no prior knowledge to the viewing. But both really pay off if you know the history outside the story and let that backstory clothe your experience, almost like an extra dimension. Trashy pinnacles of cinema; perfect for summer watching.

History shows again and again
How nature points out the folly of men…

Blue Oyster cult

The 26th Most Expensive Movie Ever Made

By the time Cleopatra premiered in 1963, the film had overspent its $5 million budget by somewhere between $20 and $39 million. The lavish Roman epics that were popularized in the 1950s were driving up costs, but films like Ben Hur, which were costly and well-received, paved the way for Cleo. Variety puts the ultimate cost of the 1963 Fox epic at $44 million, so even before it came to the screen, it was rumored to be a disaster. Cleopatra was a huge box office success, the highest-grossing film of the year at $57 million, but was considered to have lost money. As you watch the scene where Cleopatra enters Rome on a giant barge, flanked by hundreds of costumed dancers, you can’t help but hear *ca-ching* with every painted golden trumpet.

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Beat the Dictionary

In 1936, the winning word was eczema. In 1967 and 1970, the words were chihuahua and croissant, commonly viewed words in TV ads for Eucrisa, Taco Bell, or Burger King.

Somewhere along in the 2000s is when the spelling bee contestants stepped up their game so much that the words became more difficult, less recognizable. In 2003: pococurante. 2011: cymotrichous. 2017: marocain.

2019 spelling bee winners
The eight winners of the 2019 Scripps spelling bee, photo by Erik Lesser

In 2019, as you may already have heard, there were eight winning words because the 2019 Scripps Spelling Bee resulted in an eight-way tie. Just for the record, those words were Auslaut; erysipelas; bougainvillea; aiguillette; pendeloque; palama; cernuous; and odylic. I’d be surprised if you even recognize anything besides bougainvillea.

Social and technological changes have created a competition that seems otherwordly in difficulty, yet there are more ties and more winners than ever. Contestants hustle to cram as many words in practice as they can, use special computerized services, hire coaches, and reportedly spend 30 hours a week looking up the meanings of prospicience and antipyretic.

One question widely circulating is: Should we do anything about it?

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