SBIG: Mothra and Florence Foster Jenkins

20160831 FFJ historyvshollywood

I don’t know where my childhood went wrong. I was exposed frequently to art museums and the best music – both classical and jazz. The shelves were full of Shakespeare, Thomas Mann, Faulkner, and Plato; the walls were covered with Bruegel and Pollock.  My mother had no sense of humor. (Technically, that’s not true, she thought Bertolt Brecht and Edward Albee were hil-arious!)  My father had no appreciation for Star Wars or Steven Spielberg, and took us as children to see West Side Story and Rashomon instead. Yet, somehow, since I was a wee bit of a thing, I have always loved bad art.

Bad movies, bad music, bad theater, bad painting, bad poetry. There is a whole subgenre of the arts within each of these categories. Performances that were fiercely bad, sleep-inducing, screechy, ridiculous, and downright dreadful. In the Kaj household, we even labelled it in our classification system as SBIG – So Bad, It’s Good.

April showered me today
And got me kinda wet.
I wasn’t looking for the rain.
Glub, I’m a rivulet!
–From Spectrum, Author’s name withheld to avoid public shaming

What Makes The Performance Bad?
There is a fine line between dull and wretched, and we have to examine wretched just a bit, to understand where that line is drawn. Bad can take on many forms – maudlin, boring, insipid, confusing, blurry, not believable, or overly predictable – when it comes to films. This is tricky when it comes to comedy, because comedy can be highly subjective. You like the Hangover or Jim Carrey; I detest them. Yet vulgarity or farce on its own is not necessarily bad, but subject to personal taste.  You don’t “get” Monty Python; in our house, it is considered to be part of the genius canon.  Does that make any of these bad or good? Probably not.

The heaviest disagreement comes over whether something is “great” or one of the “greatest.” We will come to blows over whether to include Borat or Dumb and Dumber on a Best list. There is less disagreement about whether something is universally bad. Don’t believe me? Gigli. Howard the Duck. Fifty Shades of Black. Need I go further?

Music is easier to identify as bad. Off-key, strange lyrics, poor phrasing, off-key, off rhythm, constantly changing key, mispronouncing words, did I mention off-key? Is the song really only a chorus repeated over and over? Can the band play the instruments? A theme starts to emerge, that transfers to painting, poetry and so forth. Did the artist fail at what they were trying to achieve?  Do the mountains in a landscape really look more like ice cream cones? Does the interpretive dance consist mostly of hair flinging? Is the poem so cloying that it makes you cringe?

What Makes it So Fiercely Bad It’s Good?
The common theme to the best of the worst seems to do with pain. Painfully bad. Cringing, wincing, covering the ears or eyes (or nose!!!!), the performance takes entertainment which might just be mediocre into another realm entirely.

Boring, on its own, is not sufficient. A little flat in pitch isn’t really funny. A dumb script is fairly common; we need to have wooden acting, stupefyingly bad special effects, inappropriate product placement, and maybe the sound boom showing, to crank a bad performance up to that mythical level eleven.

Continue reading “SBIG: Mothra and Florence Foster Jenkins”

Road Trips: America in Miniature

“Kathy”, I said,
As we boarded a Greyhound in Pittsburgh,
Michigan seems like a dream to me now.
It took me four days
To hitch-hike from Saginaw.
“I’ve come to look for America.”
–Simon & Garfunkel, America

Everybody journeys. Everyone takes trips on roads, travels to see new worlds, journeys of self-discovery and trips to the store, commutes to work and visits to see family. But there is a particularly American invention – the Road Trip.

20160824 I80 responsecraftingcom
via responsecrafting.com

The United States is a large country with substantial variation in climate and terrain, crisscrossed with interstates that allow travel through and to nearly all of it, though it takes hour or sometimes days.  In early civilized history up until the 20th century, towns were near waterways whether in Europe, Africa, or North America.  Now they are all aligned along interstate hubs or around airports and the arterial traffic system is perfectly designed for long car journeys.

Continue reading “Road Trips: America in Miniature”

Medal Counts — Bogus and Real

I’m as big a supporter of national pride as anyone, but the constant blaring of Olympic Medal Counts reminds me of that phrase “ugly American.” Since we fielded the biggest team by about 20%, and devote massive resources to sports, the statistic seems pretty crass. Raw volume numbers under those conditions are rarely a reflection of anything beyond size. I wondered whether there might be more fair ways to address medal performance.

As of Tuesday, the U.S. had won 85 medals, 28 gold. But how about if we adjust for the number of athletes, population, or resources? Numbers people would want to know these things. Craig Nevill-Manning has created a lovely site, medalspercapita.com, which did much of this work for me.

Medals Per…
When you start looking on an adjusted basis, small countries—with a small denominator—pop up at the top. (Also, note that a weighted medal count, with points for medal type, is most useful). Grenada with its one medal, a silver by the amazing Kirani James, leads with that one medal in medals per capita, per team size, and per GDP. Kirani won the 400 in London and was heavily favored; in one of the great races of these games, Wayde van Niekierk of South Africa blazed ahead of him and former Beijing champion LaShawn Merritt in world-record time, the only medal ever won by a runner in the outside lane, unable to see anyone behind him the entire race. James’s silver medal puts Grenada “tops” in several medal counts, when adjusted for size. Continue reading “Medal Counts — Bogus and Real”