NaNoWriMo: Less Counting, More Dancing

The more people writing, the better! Really, writing should be encouraged. We can never have too many writers, artists, dancers, or musicians. But NaNoWriMo as a Thing To Do has always been kind of lost to me, and as people are posting their word counts on social media, I just can’t help but explain why.

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You Can’t Count your Way towards Better Art

NaNoWriMo is about writing 50,000 words by the end of the month of November, which means writing approximately 1667 words every day.  But 50,000 words doesn’t necessarily equal a novel. Some stories can be told effectively and be commercially successfully in a lot fewer words. Many stories take a lot more.

Honestly, 50,000 for a “novel” might be a little on the short side. Good for children’s books, or if you’re Vonnegut or Hemingway.  J.K. Rowling’s books started shorter (Sorcerer’s Stone was 77,000) and then, as they got interesting, became decent-sized. Four NaNoWriMo’s worth.

A great painting is not made better by having more paint strokes. A symphony isn’t better by having 50,000 notes as opposed to 35,522 or 272,395. But NaNoWriMo by nature is built around counting. It was started as a community project to help a handful of San Francisco writers practice their craft in miserable weather. It clearly struck a nerve, since so many people want to participate. But the participation effort is about writing a certain number. The helpers include several ways to count your words or build word count apps. That’s what apps do. Continue reading “NaNoWriMo: Less Counting, More Dancing”

‘Tis a Mystery: Where Do Mysteries Come from?

Sherlock Holmes playing the violin while puffing on a pipe, gray smoke misting the air like thoughts of inductive reasoning… Hercules Poirot sipping on his tisane while musing with his little gray cells…Mr. Monk framing the room with his hands… Columbo, hand to his forehead, dripping cigar ash on his raincoat…such detectives have captured popular imagination for centuries and are among the most famous of our modern heroes. Mysteries have nearly eclipsed novels as popular reads. Agatha Christie is called the world’s best-selling author with two billion sales of her 66 detective novels.

How did we get here?

Most discussions of the history of the mystery define the universe as related to detective fiction — a premise I grant — and suggest that Poe’s “Murder in the Rue Morgue” was the beginning of the mystery. But let’s go back a little further. How does Poe’s 1841 short story about a detective, C. August Dupin, arise into existence? What were detectives before then? Didn’t anyone write short stories? Didn’t anyone write stories about people who investigated things? Continue reading “‘Tis a Mystery: Where Do Mysteries Come from?”

In Line

Gentle Readers: today’s entry is my annual/semi-annual Fiction entry. This was in response to a Chuck Wendig challenge to write a story about “going against authority…middle finger up…Chaos and Rebellion….”  I confess it turned out longer than requested (but it’s me, so who’s surprised?) and also to be gentler in the end than the challenge suggested, although I’m not always as grim as I appear to be, either.]

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Miz Berenson was the meanest, strictest, recess monitor that ever carried a steel whistle onto the playground. The asphalt at Robert Taft Elementary School was her territory, and woe betide anyone who broke her rules. No gum chewing. No going up the slide the Wrong Way. No Boys vs. Girls contests. And she was super strict about how we lined up to go back to class.

She would end recess like ten minutes early just to allow enough time for the line to meet her standards. There had to be eighteen inches between students. There had to be No Talking, silence, people. There was to be no what she termed Horseplay. If she didn’t like it, she’d make us line up again even if we were late to class. Or, she would make us spend part of our lunch hour lining up.

Continue reading “In Line”