A chunk of my childhood was in black and white. Or, to be more accurate, my recollection of the outside world as-it-was when I was young, my memory of historical events, is in black and white because television was in black and white, and that was the conduit to the outside world. The Vietnam War, the Brady Bunch, Richard Nixon, the funeral of Martin Luther King, and even cartoons. Saturday nights when I was a pre-teen belonged to black-and-white UHF stations, to Big Time Wrestling.
One of the stars from those days was Pat Patterson, whose obituary in the New York Times this week caught my eye. He was Canadian; he was gay; he was a legend. But all of the wrestlers loomed larger than life. It was the nature of their business to loom.
Big Time Wrestling
Wrestling, like so many forms of circuses in our world of bread and circuses, has evolved multiple times over the centuries. My grandparents probably saw it as a sideshow in a circus or attached to vaudeville acts before the invention of TV and mass media. It did not spring forth in whole cloth as it is today, in pay-per-view, with lasers flashing, tens of thousands of fans, and heavy metal music blaring. The version I saw was on that tiny (9-inch) TV screen on grainy channel 40 in a musty half-filled Sacramento auditorium. But it was essentially the same.
