Black American Pioneers on Ice and Snow

1st U.S. black American winter Olympians
Willie Davenport & Jeff Gadley, 1st African-Americans on a Winter Olympics team, courtesy of ESPN

The achievement was a historical footnote at Lake Placid, an asterisk among the ALL CAP raves for the “big” notables like Team USA’s hockey upset of the Soviets and Eric Heiden’s five gold medals. Willie Davenport and Jeff Gadley, push men for the four-man bobsled, were the first black Americans included on a U.S. winter Olympic team. As the 2018 Winter Olympics kick off in two days, the intersection with Black History month provides a perfect opportunity to discuss diversity and to celebrate notable achievements by athletes in the Games.

I was somewhat bewildered immediately in seeking information. First, while data on medal winners came easily, detail about the first Olympic participants was harder to find. Boxer George Poage was cited as the first black medal winner at the summer Olympics in 1904, only the third time the Games had been staged. Whether he was also the first participant is hard to determine. It took quite a bit of digging to ferret out the ESPN analysis that showed Davenport and Gadley as the first winter participants.  Secondly, it was a bit shocking to realize that while only eight years passed before African-Americans were added to the summer U.S. teams, a full 56 years occurred before blacks were included on TeamUSA in the winter. Continue reading “Black American Pioneers on Ice and Snow”

Figure Skating’s Trail of Broken Dreams

I Tonya movie still, broken skate
I, Tonya
courtesy of Entertainment Weekly

The Olympics start in nine days, but this is not–strictly speaking–a post about the Olympics. This is a reflection prompted by seeing the movie, I Tonya, which cleverly insinuated itself into movie screens early enough to put itself in Oscar contention for 2017 but late enough to be seen right before the start of the Pyeongchang Games. The mockumentary-style film is worth seeing as a drama even if you’re not a skate fan. It also reveals the quirks in skate judging that result in odd results, perhaps to Harding, but to so many more that Olympic skate results are practically a conveyor belt of unfair outcomes.

Bashing Someone’s Hopes

Margot Robbie is terrific as Tonya Harding*, the powerful but feisty skater who won the U.S. Nationals but wanted more. Her manipulative and abusive husband launched a plot to scare her competition and his cretinous cohorts improvised with a crowbar to Nancy Kerrigan’s knee. Harding became a national joke and an international disgrace. I thought the film clearly showed Harding’s culpability in covering up the plot after the fact, lying to the FBI, and suing to keep her Olympic spot.

But afterward I heard some say that they thought the movie showed Harding was robbed, that she should have won a medal, shouldn’t have been pilloried by the press, and deserved more. Harding’s interview with the New York Times this month suggests she still thinks she was mistreated. The film–assuming its accuracy–does make one thing clear: when you are abused by your loved ones, as Harding was by her mother and husband, you come to feel that the world is against you and that you bear no responsibility for whatever happens. Continue reading “Figure Skating’s Trail of Broken Dreams”

Battle of the Sexes: The Political is Personal

I remember September 20, 1973 when Billie Jean King beat Bobby Riggs in three straight sets at the Houston Astrodome in the Battle of the Sexes.  I remember when Ms. magazine debuted and when Virginia Slims was a sponsor of the magazine and women’s tennis, when people debated about the merits of letting cigarettes bankroll feminism, but feminism needed the money. I recall when it was fashionable for men to call you “little lady” and drape their arms around your shoulders in casual conversation. I remember when tennis rackets were made of wood.

When Rackets Were Made of Wood

The movie, Battle of the Sexes, brings the story of the King/Riggs match to life.  The film gets the tennis right; the film gets a lot of things right. Wooden rackets weighed 25-30% more the aluminum ones, and the racket face was much smaller, which means players couldn’t hit the ball anywhere as hard. Tennis then was much more a game of strategy — ball placement, serve and volley, and the strategic use of the lob. The tennis match choreography shows this to great effect. To the modern viewers, the play may seem oddly lethargic, almost as if it was in slow-motion. That was the reason Riggs beat Margaret Court, known at the time as The Arm because her height advantage gave her more power and a longer reach. Riggs wasn’t faster; he played more strategically and was wilier about placing the ball. After all, if you can play wearing scuba flippers or wearing a hoop skirt, then your play is about wrist movement, not power.

The trailers for the movie and many of the reviews don’t mention Margaret Court, but she’s a core part of the film, which I appreciated. King would never have played Riggs if he hadn’t already beaten the #1 women’s tennis player. The movie even hints at Court’s rampant homophobia which has made recent headlines, a topic that would have not been included in any biopic of this subject made before the 1990s.  Emma Stone is a credible King, but Steve Carrell is a drop-dead perfect Riggs, a showman playing tennis in a dress or with a drink in his hand to win a bet, a game of slow but deceptively accurate shots. Continue reading “Battle of the Sexes: The Political is Personal”