Where Fancy is Bred

Where, oh where, is fancy bred?
In the heart or in the head?
–Shakespeare, Merchant of Venice

The heart is a powerful muscle, delivering nourishment and energy throughout the body, second by second and minute by minute. The sound of a heartbeat signifies life, fear, elation, and anxiety – the approach of a leopard and the approach of a beloved. One of the most joyous sounds is of a heartbeat in a mother’s womb; the joyous picture is the sonogram of that beating heart. The heart has been described since ancient times as the seat of emotions, though 20th century scientists in the age of “better” information designated the brain as the true ruler of emotions rather than the heart. How did the ancients get it wrong? Or did they?

Blame it on Aristotle. Blame it on the Catholic and the Lutheran Church. Blame it on the Cro-Magnons.

For Valentine’s Day, I set out to find out where the scalloped heart shape came from and why the heart was identified as the seat of emotion. As with all investigation into historical and scientific evidence, the answer is … complicated. Continue reading “Where Fancy is Bred”

Arthur Ashe: Sports & Social Justice Badass

Start where you are;
Use what you have;
Do what you can—
Arthur Ashe

Since it is Black History Month, I thought Arthur Ashe would be a fitting subject for a profile as he happens to be the author of my Favorite Inspirational Quote of All Time. I heard that yesterday was also National Black HIV/AIDS Awareness Day, and Monday was the anniversary of Ashe’s death from AIDS-related complications; it was a sign!  I remember him winning Wimbledon in 1975 in very dramatic fashion. I remember him speaking out about apartheid in South Africa. I remember him as one of the first to publically announce he had AIDS, and his passing in 1993.

Little did I know!

20170208-sicover
The dude was a charitable foundation, social justice, human rights badass. His life was full of challenges and struggles, but every time he ran into a personal issue – which he resolved – he would turn around and create an organization to raise awareness and help other people so they wouldn’t face the obstacles that he did.  First black tennis player to play in a tournament under apartheid? He created a tennis center for blacks to play in South Africa. Had quadruple bypass surgery? Became national campaign chairman for the American Heart Association for a year. Contracted HIV from a blood transfusion during surgery? Created the Arthur Ashe Foundation for the Defeat of AIDS.

And all before the age of 50. Honestly, as I read through his biography and the works on the AALS (Arthur Ashe Learning Center) arthurashe.org website, it seemed a little ridiculous. How could one person get all that done?  I remember Arthur Ashe when he was alive, and he displayed such dignity and class, that it’s impossible to imagine any of it was exaggerated. Plus, I remember him doing these things. Continue reading “Arthur Ashe: Sports & Social Justice Badass”

Not the Same Perfect Ten

Forty years ago, Bo Derek modeled a certain standard of beauty in the movie “10.” Svelte and tanned, she sported Caucasian cornrows and a thin, sculpted body below her blonde Northern European features. Sixty-five years ago, it was another blonde, Marilyn Monroe, who was the poster girl, though her figure was much larger and hourglass-shaped rather than willowy. A hundred years ago, it was the Gibson girl, though she was an artistic rendering rather than a real person; also hourglass shaped with a body exaggerated by a corset. These beauty ideals have all shared common features: they represent a look that is unattainable, reflecting either wealth, lucky genetics, or a figment of the imagination.

Consider the French Age of Enlightenment. In the 18th century, before Louis XVI’s head was lopped off, the aristocracy and the arts reigned supreme. French fashion is still splashed across hundreds of portraits in the average museum, displaying on white faces, giant hairstyles, and massive gowns overflowing with fabric. Those faces were painted to make them look unblemished since the average French face had scars and discolorations. Unfortunately, the huge amount of lead in the ceruse paint often created the very scars it was designed to hide. Eyebrows were also supposed to have a certain look – different from however they normally grew —  so they were shaved and mouse hair was glued on instead, in a more ideal place or just different from wherever eyebrows would normally grow. Beauty marks were added, even according to a certain code. Continue reading “Not the Same Perfect Ten”