The Avocado Toast War

When I was trying to buy my first home, I wasn’t buying smashed avocado for $19 and four coffees at $4 each.
–THIS GUY*, Australian Real Estate Mogul

We are on the precipice of a full-scale war. The skirmishes are already under way at blogs, tweets, instagrammies, and facebook posts around the globe. While the world may be going to hell in a handbasket for other reasons, humanity is in high dudgeon over avocado toast. I might as well as join the party.

The instigator was THIS GUY (*who I refuse to name; you can google it if you want to give him the publicity) with his comment targeting the group we all love to bash, the Millennials. This 35 year old real estate mogul from Melbourne targeted Millennials on the Australian 60 Minutes by focusing on their passion for the luxuries of Avocado Toast, lamenting how it prevents them from properly purchasing a white picket fence house in the suburbs and having the 2.3 children that has been mythically dictated to be required for a good life.

Such comments raise so many questions. What is the price of avocados and, moreover, of avocado toast? What is the price of a house, and how does it compare to toast? Are millennials buying houses and, if not, why not? Who is THIS GUY? And, anyway, who asked him?

20170517 avocadotoast Continue reading “The Avocado Toast War”

Gradatim Ferociter

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This past Saturday marked the 31st anniversary of the Challenger disaster, and it’s hard to resist the urge to still be depressed about it.  73 seconds after liftoff, the ship exploded, killing the seven astronauts including teacher Christa McAuliffe, who was to be the first civilian in space. Later analysis revealed the likely cause to be an O ring failure as a sealant due to unusual freezing temperatures before the launch. I’d like to think that the disaster led to new, safer ways to explore space or a determination to solve scientific problems in ways to benefit us all. But thirty years in, I’ve come to realize some of that is probably fantasy, and the reality is a mix of pessimism and pragmatism.

I remember exactly where I was: at the office on Montgomery Street in San Francisco, only six months into a job with a company I would eventually support for decades. In those “yuppy” days, we still wore suits and heels and spoke in hushed tones, as if every discussion were of utmost importance. In the middle of an intense debate over something on a spreadsheet, we noticed that everyone was suddenly going into the big conference room with the television, and on the screen was this odd blotch of smoke flowering outward. Whoever had been in the room first – to watch the launch initially – had to retell the story over and over as more people came out of their offices and cubicles to join the crowd. All you could see for several minutes was smoke blossoming further and NASA Houston mumbling something about “waiting to see,” until finally the news generated some kind of replay. Then, the announcers explained what had happened, and started replaying it over and over. We’re now used to that instant replay on a loop, but that was the first time I remember seeing it put to use. Continue reading “Gradatim Ferociter”

Can You Hear Me Now?

Aliens plop down on earth. Humans wonder what the aliens want. What do they want? How do humans know?  This is the conundrum created by many a science fiction movie and at the heart of the excellent new film that’s generating Oscar buzz, though little attention otherwise, Arrival.

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There are a set number of possible options for an Alien Landing plot, many of which have formed the core famous and infamous science fiction premises. Often, the aliens mean harm or pretend to be nice but then mean harm OR some are nice but are fighting with others who mean harm. So getting eaten/enslaved/destroyed is a fairly likely occurrence. But then, how do humans know? Someone has to ask, and how do you speak to an alien?

As most movies are aimed at the lucrative 13-15 year old boy market, many Alien Landing plots involve the shoot first variety. If you google “Alien Invasion,” you can even see the top twenty or thirty of these movie types.  But Arrival is about the communication process itself. Since there is such a huge possibility that the aliens still might have nefarious intent, the armies surround the aliens and point guns at them. You can’t help but marvel at the stupid efficiency of the American army as it erects tents and hazmat facilities and communication centers without the slightest clue of whether any of that will be helpful. (Turns out most of it is not). They at least have the sense to bring in Amy Adams, who plays linguist Dr. Louise Banks, to bridge the communication gap.

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Aliens Land Now What flowchart (kajmeister)

Continue reading “Can You Hear Me Now?”