What a favor I have done you, my gentle readers and Dickens lovers! I have taken it upon myself, in keeping with the situation, to evaluate the universe of versions of “A Christmas Carol.”
This was no easy task. There are four or five widely known versions of this holiday classic, but the off-versions, the non-Scrooge versions–the American, Scottish, musical, Rankin-Bass, Disney, Pixar, pop star, African-American, Canadian, mobster, Susan Lucci, British, and trailer trash versions have become plentiful, indeed!
Since the Seymour Hicks first non-silent ACC (“A Christmas Carol”) film debuted in 1935, another 43 film and television-based versions of Scrooge’s story have been produced, not counting several live once-on-TV teleplays done in the 1950s and also not including every single skit or sitcom-inspired takeoffs ever done. (Ref. see Alex P. Keaton and French & Saunders). My universe included anything recognized on IMDB (or Rotten Tomatoes) or on a Scrooge ten best list. Interestingly, at least five sites purported to have the complete list, but none did. Even Wikipedia under the heading “Adaptations of ‘A Christmas Carol’ only listed 25 of these 43 adaptations of “A Christmas Carol.”
One of my most vivid childhood memories is of being told I had to finish dinner before we could go to the state fair. On my plate were sliced orange disks which my mother said were carrots but, in fact, were sweet potatoes. I detested the mushy things and knew they were not carrots. I sat there for Hourrrrrssss, with tears streaming down my face, unable to handle the discrimination and oppression of the sweet potatoes. The unfairness! No merry-go-rounds for me! My mother was lying! The adults were in league to ruin my life! The trauma! The unfairness!
I’m kind of sad now that I never asked my long-dead mother whether this story actually happened, and why, in particular, she would lie and tell me that sweet potatoes were carrots. It seems kind of unlikely now. Also, ironically enough, I now love sweet potatoes and will eat them without marshmallows, butter, or any flavoring at all. (They’re really good stuffed with chili and jalapenos.) Continue reading “Eat Your Vegetables!”
et tunc curat
ludo mentis aciem,
dissolvit ut glaciem.
like the moon
you are changeable,
and then soothes
as fancy takes it;
it melts them like ice.
–Carl Orff, Carmina Burana,
O Fortuna (Stanza 1)
I was listening to an economist discuss projections of the market for 2018, and it struck me how much this reminded me of King Arthur. The connection? The medieval idea of the Wheel of Fortune, a prism which could help us view the world in proper context and settle our turbulent emotions just as it did centuries ago.
Now, this is not the game show with Pat and Vanna that has filled the after-dinner TV slot for decades. Although those who know about the enduring notion of Fortune surely find it amusing that this show has displayed such enduring popularity.
The basic idea of the Wheel of Fortune, if you recall from your world history days, is that those on top of the wheel — kings, rich men, landowners — enjoy the bounty of the earth, while the poor and the peasants struggle at the bottom. But the wheel always turns and even kings and emperors now high will eventually be struck low. We’ve seen this played out in history and can understand the dynamic. Dictators who overstep their power are brought down. Wealthy playboys waste the inheritance that their thrifty parents worked years to create. Meanwhile, others rise out of poverty to amass their own financial empire or to create their own new political followings. Continue reading “King Arthur and the Stock Market”