U is for Usury

German woodcut of Italian bankers. Photo from medium.com

Usury was denounced by the Catholic church in the Middle Ages, a potential route to heresy and excommunication. But royalty, the church, and the merchants needed bankers. The bankers found ways around restrictions. The Medici thrived on banking, but it proved to be their downfall, or their rise depending on how you look at it. Lending to people in charge seems to have an inherent risk, usury or not.

Criminal Interest

Usury is defined as charging an “exorbitant” interest according to Webster’s. But there’s that third dictionary definition, listed as Obsolete. Usury was once defined as charging any interest at all. It varied with the century.

There were banks in Rome, which might charge from 5-12% interest. There were banks in the 6th century Byzantine Empire, because Emperor Justinian set loan rates, which varied by the venture: 4% for “exalted personages,” 7% for business loans, and 12% for maritime loans. The Council at Nicea centuries earlier had banned interest but for clergy, not everybody.

Yet a few centuries later, between the time of Charlemagne (750 CE) to the Black Death (1350), usury was more strictly banned. First, the Catholic church said that usury was banned to everybody, that you could not have a transaction where more was returned than was given. Even in a simple transaction, like selling a cow, the farmers had to find a just price, where they would only receive what it cost.

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T is for Trionfi

Visconte-Sforza deck, Photo from wikipedia.

Playing cards came from Italy. Or France. Or Islam. Or China. The Internet will give you all those answers. But, in Europe, the first cards used were called trionfi also called tarot or tarock, and they reflected the 78-card tarot deck which became familiar to cartomancers across the centuries. At the time, they weren’t used for divination. Later folks claim they went back to the pharoah’s Egypt which has been disproved. No one seems to know why the Mamluk Egyptians had them, but they weren’t from Hermes Trismegistus.

The Milanese tarocchi, @1500. Photo from wikipedia.

When They Weren’t Riding Horses, They Needed Other Pastimes

The oldest surviving European decks came out of Milan from the early part of the 1400s. They are named the Visconti-Sforza deck, after Fra Lippo Visconti who commissioned them and his son, Francesco, of whom his later son tried to get Leonardo to build a bronze statue of horse. See L is for Leonardo. (I’m getting late in the alphabet–everybody seems to know everybody else).

The cards were exquisitely painted, sometimes with jewels. (What did a 14th century glue gun look like?) They even painted members of the duke’s family, which makes them historical documents. No complete deck has survived; multiple museums have incomplete decks.

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R is for Raphael

St. George and the Dragon (1) by Raphael, in the Louvre. Wikimedia photo.

Raphael was a rock star. He was the Elvis of his generation, the “prince of painters,” at a time when painters were the A-List celebs. It pissed off Michelangelo and Leonardo to no end. He died young, as rock stars do, and there was even a legend around that.

The Pope’s Mission

Raffaelo Sanzio da Urbino was in his early twenties when he traveled to Rome from Florence and Urbino, two other Italian cultural centers of the time. It helped that he was buddies with the future Duke of Urbino and distantly related to Bramante, who was designing the dome for St. Peter’s Basilica. Pope Julius II invited him in for a chat and immediately gave him the commission to paint his private library.

The paintings won immediate acclaim, to such a degree that the rooms he ended up painting in the Vatican are now called the “Raphael rooms.” This first one included the School of Athens which I’ve included in posts on more than one occasion. This photo is a little wavy because it was hot and crowded on the Vatican tour (in 2018), and I was being jostled as I stood right at the wall, trying to take a quick photo. But it may give you a sense of the enormity of the canvas and its sense of grandeur. And such vibrant colors!

Standing in front of “School of Athens” by Raphael, photo by kajmeister.
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