#FOWC Archives – Page 15 of 102

October 1, 2024October 1, 2024

Elegy for the Oakland A’s

…no one wants to hear from the murderer at the funeral…
Sportswriter Ann Killion, on owner John Fisher’s sham letter of regret.

Some of my lifetime of A’s paraphernalia.

Sports is not really about demigods performing super human feats, even if it sometimes is. It’s not about honoring divine beings, extolling the virtues of gentlemen athletes, or bringing about world peace, even if some claimed that was its purpose. Sports is not even about winning. Sports is about storytelling, stories which become inseparably woven into the fabric of our own lives.

There have been a lot of tears shed this past week at the funeral for the Oakland Athletics, my hometown baseball team. The final games were played last week by Oakland’s quirky, over-achieving players in its aging, industrial monolith of a stadium. Fans and players wept openly, and we’re still crying. I went to a lot of games there, by myself and with friends, wife, kids, in-laws. The A’s Bay Area tenure roughly paralleled mine, and, although I’m not going anywhere, they’re headed off to West Sacramento, to wear jerseys that have no place name on them. The team owners are dreaming of going to Vegas, but all they have so far is an architectural drawing and a hope for public funding.

I was going to write a rant, full of fury at A’s owner John Fisher, who publicly throttled this team as we were all suffered to watch. Like many of the other fans, though, I end up just thinking about my long string of experiences. Forgive me for such a long, maudlin post. Like a good wake, it goes on longer than it should because I just don’t want to tell the deceased goodbye.

The Oakland A’s have always had to play things a little differently, under weird circumstances and not always with poise or polish. They took pride in eccentricity and in showing up to contend with those who had more to begin with.

September 25, 2024September 25, 2024

La Serenissima II: Venetian Troubles, Venetian Dreams

Part One of my tourist musings on Venice addressed its creation story: the refugees building the lagoon, then constructing their legends about St. Mark and his winged lion. Story upon story upon story.

Venice rose in wealth, trading, fighting, and conquering, both infidels and allies. The Crusades increased their wealth, until they mounted a Crusade of their own that turned into atrocity. They covered their deeds with art, religion, and parties, even as the money dried up and their status as a maritime power was eclipsed. Once the facade peeled, they invested in attracting visitors to view their beautiful, decaying things. Even that has now become part of the problem.

September 19, 2024September 23, 2024

La Serenissima I: The Invented City

Santa Maria della Salute in Venice, beautiful among the clouds. All photos by kajmeister unless otherwise indicated.

My bags are unpacked, laundry put away, and the trip is over. Yet there’s one more story I should write, about the last place we visited, Venice. We experienced so much in five days there that it has filled two posts, mostly because Venetian history is convoluted. Those who took up residence ricocheted from one kerfuffle to another, like the tides pinging the sides of the Adriatic. They invented themselves, so the question is, what are we to make of their invention?

The Most Serene, Queen of the Adriatic, the Floating City, The Dominante, the City of Bridges, of Masks, of Canals… Venice has had as many names as there are perhaps islands. It is most serene and tranquil, in the way that a swan is tranquil and graceful above the water while its feet flail madly below.

Venice’s most famous poet, Veronica Franco, was a courtesan; another famous writer, Giacomo Casanova, a rake. Famous traveling son Marco Polo was an exaggerator who did not even write his own story–his travels were written by a romance writer while they both languished in jail. I’ve written of Veronica, of Marco, and even of Venice before, but on the second visit, I noticed more than just the “beautiful decay” that I mentioned before. The masks that are one of its key symbols are revealing of its history. Venice is even masked unto itself, profiting from its self-invention.

But what else could a city be, built by those on the run, who threw trees and dirt in the water to build their fantasies on? Who grew rich transporting thieves? Who invented a patron saint, with a symbol to hawk to the tourists? Who looked both east and west, and, in battling both, lost its own identity? Who, even now, welcomes the visitors that it shuns? Same as it ever was. The most beautiful, the most serene, the most crowded, the most mysterious.