D is for Dish

Japanese “deep bowls” @11,000 ya, Tokyo National Museum, photo by Ismoon.

While I waxed lyrical about Bread a couple days ago, I must confess that, in comparison, ancient Pottery has seemed a little underwhelming. It’s been the part of the museum I slog through, wedged between those fascinating replicas of the Gate of Ishtar and the Egyptian mummies. Oh, look yet another brown glaze!

Yet if there ever was a thing that humans invented and re-invented, in one culture after another, it is cookware. Archaeologists can find buried treasure, in fact, treasure troves just by spotting an ancient “shard” in the trash heaps, among the cigarette butts and plastic bags. Dating the shards can be tricky, but technology has improved its precision. It was once thought that dishes to hold food were created after the invention of organized farming (@10,000 ya), but recent finds on digs have unearthed pots far earlier.

Personally, I can’t tell quartz from limestone, but I’ll bet Paleolithic and Neolithic people could look at the dirt in my neighborhood and explain it to me. Certainly, it makes sense that Stone Age people would have been experts in geology. If they could find the right kind of rocks to hone the points of other rocks and create sparks for fire, then they could make their own rocks, which is why today’s post is all about Dishes. Let’s explore three topics:

  1. A core definition of the “thing”
  2. Where and when it happened first “around the world”
  3. How it influenced human development
1790 fine bone china tea service, photo courtesy of the Met.
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Campaigning for the Arts & the Oscars

The 1st Academy Banquet of 1929, designed by union-busting studio execs. Winners had been announced beforehand; many did not show. Wikimedia photo.

In the final week’s run-up to this year’s birthday party for Uncle Oscar, i.e. the 97th Academy Awards, there have been surprises, rumors, and scandals. In other words, the movie and awards business as usual. Each batch of pre-Oscar awards (SAG, BAFTA, Critics Circle) has led journalists to conclude that this movie or that movie is definitely gonna win because of some quasi-statistical calculation. Some of the nominations have been controversial. “The Brutalist” was slammed for using a little bit of AI-based technology. The “front-runner” for Best Actress made numerous racist and Islamophobic statements on social media a few years ago, so now has quasi-apologized, though what this has to do with her performance may seem head-scratching.

Personally, what I find most head-scratching is that movies which premiere in one theater for one day at the end of December can somehow be considered better than any other movie that is seen by the rest of us all year long. It seems like cheating. But then artistic contests have a history of cheating, campaigning, and judging biases. Patriotism, popular sentiment, and politics influence the voting. It’s not just in the movies. Classical art and classical music have also had their own versions of campaigns and contests. Let’s go back a few centuries and take a look.

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The Dragon Hunt

Dragon from San Francisco New Year parade, 2020. Kajmeister photo.

A few weeks back, while still wrapped in the blanket of dinosaur research, I started thinking about serpent gods, flying monsters, and dragons. I wondered how scholars had addressed this question, but when a few glances at research led to papers on children’s stories and the ancestral memory of tree shrews, I gave up quickly. It was Christmas; I had presents to wrap and muffins to bake. Those few who discussed the possible origins of dragons appeared limited to art museums, mythology experts, or psychologists, rather than historians or paleontologists.

But last Thursday was of all things, Appreciate a Dragon day, according to Sandra Boynton. And we are finishing the Year of the Dragon, after all, with January 29th ending this most auspicious year and moving on to a different animal in the Chinese calendar, Year of the Snake.

Perfect timing to take another dive into the topic.

It seemed a simple question. After all, dinosaurs once covered the earth, which, at the beginning of the Triassic, was a single land called Pangaea. The continents split up after the dinosaurs proliferated, so dinosaur fossils now cover the globe, with similar species now found flung far apart in Argentina, the Rockies, and the Gobi Desert. Dragon stories also span the globe. It seems a question with a fairly obvious answer: Were human ideas and stories about dragons influenced by dinosaurs, by fossils found by ancient, primitive paleontologists?

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