A lot of angst-filled snippets are filling social media over Kenneth Branagh’s new version of Agatha Christie’s classic, Murder on the Orient Express. People don’t want to see it because no one could be a better Poirot than David Suchet. Or they loved the 1974 production with Albert Finney so much, what could surpass that? Branagh’s moustache looks silly. Who does he think he is? Why mess with the “original”….etc. etc.?
Time out. Let’s talk about covers.
![poirot.jpg](https://kajmeister.files.wordpress.com/2017/11/poirot.jpg?resize=525%2C273)
The Beatles Love It When Other People Do the Beatles
A cover is a remake. It should be different but pay homage to the original. There’s an interesting side discussion about whether the word “cover” was specific to white bands covering black artists’ material which you can read here . Let’s bypass that issue; the notion of a cover is more generic in today’s vernacular. Mozart covered Bach. West Side Story covered Romeo and Juliet. Continue reading “Under the Covers of Murder at the Orient Express”