What’s in Your Mythology?

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Many Bothans died to bring us this information.—Mon Mothma, Return of the Jedi

The ancient Greeks told stories of gods and heroes to explain the world as well as to make the long winter nights fly by.  Tales of epic wars, capricious gods, valiant demigods, and bold deeds created the mythology now taught in schools and used as clue fodder for Jeopardy. The word mythos is Greek for any kind of story but the idea of a myth has come to mean something larger, a story about extraordinary happenings, extraordinary people, in extraordinary times.

While the Greek stories – and the Roman, Indian, Norse, Egyptian, African, etc. – took hundreds of years to percolate into tales that are now thousands of years old, there are emerging mythologies in today’s culture mere decades old. Yet, if you play the game of “what is a mythology,” it’s easy to claim that Star Wars is crossing from a collection of movie plots into the realm of mythology.

A myth is any traditional story consisting of events that are ostensibly historical, though often supernatural, explaining the origins of a cultural practice or natural phenomenon. Myths are often stories that are currently understood as being exaggerated or fictitious. – Wikipedia

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Can You Hear Me Now?

Aliens plop down on earth. Humans wonder what the aliens want. What do they want? How do humans know?  This is the conundrum created by many a science fiction movie and at the heart of the excellent new film that’s generating Oscar buzz, though little attention otherwise, Arrival.

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There are a set number of possible options for an Alien Landing plot, many of which have formed the core famous and infamous science fiction premises. Often, the aliens mean harm or pretend to be nice but then mean harm OR some are nice but are fighting with others who mean harm. So getting eaten/enslaved/destroyed is a fairly likely occurrence. But then, how do humans know? Someone has to ask, and how do you speak to an alien?

As most movies are aimed at the lucrative 13-15 year old boy market, many Alien Landing plots involve the shoot first variety. If you google “Alien Invasion,” you can even see the top twenty or thirty of these movie types.  But Arrival is about the communication process itself. Since there is such a huge possibility that the aliens still might have nefarious intent, the armies surround the aliens and point guns at them. You can’t help but marvel at the stupid efficiency of the American army as it erects tents and hazmat facilities and communication centers without the slightest clue of whether any of that will be helpful. (Turns out most of it is not). They at least have the sense to bring in Amy Adams, who plays linguist Dr. Louise Banks, to bridge the communication gap.

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Aliens Land Now What flowchart (kajmeister)

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The Death of Civilized Debate

A documentary is making the rounds, in the theaters last spring and now on PBS and On Demand, that is a reminder of how politics used to be different. This is not by way of a discussion of the current political season or any commentary on the campaigns or their positions. I will not drag us there; I have promised. But this historical  view, “The Best of Enemies,” which chronicles a series of debates between Gore Vidal and William F. Buckley, hearkens back to the days when the tone of debate could be intelligent and civil. What a concept!

The popular notion is that America does not like intellectuals. Our tall tales and folk heroes are often about simple men who get the better of the fellow  with book-learnin’ through common sense and American knowhow. Conventional wisdom is to disdain “eggheads” and to embrace the Common Man.

But Americans do enjoy – or used to enjoy – the intelligent presentation of political opinions that they themselves hold dear. In 1968,  when ABC decided to host a series of conversations between two intellectual giants who held very different views, America watched and embraced – individually – their beloved smarty-pants of the Left and the Right. Continue reading “The Death of Civilized Debate”