B is for Banking

Banks are like good hygiene, like brushing teeth and wearing underwear. A thankless resource, though someone needs to do it. People don’t like bankers, but they need them. People don’t like bankers because they need them. I explained why in the second post I ever wrote. But how does banking work?

Gringott’s Vault at Warner Bros. Studio tours, London

What Is a Bank?

Essentially, banks take your money and give it to somebody else. You could put your money in a sock under the mattress, but it’s a bit safer to choose someplace with big steel vault doors and complicated locks. Like Gringott’s. A bank might hold a Philosopher’s Stone, the royal treasury of the Lannisters, or the wealth of the InterGalactic Empire (who had Storm Troopers handling security). Modern banks spend huge sums on strong encryption systems–online vault doors–to keep your money safe.

Suppose your cousin Marvin wants to open a business, a combination sushi and ice cream store. Hey, they both need ice, right?! That’s Marvin’s business plan. The bank gives your money to Marvin as a loan.

Two problems here. First, Marvin may need more dough than your puny deposits, so the bank has to convince more friends and gather enough deposits in order to give out loans. Secondly, you may need some of your money back before Marvin can attract enough customers. He’s trying–he’s got the slogan: Come for the Eels, Stay for the Sprinkles! This is called a problem of liquidity.

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A is for Accounting

You think accounting is boring? Propaganda! It’s the circulatory system of everything. Follow the money.

If you’re here, get ready to find out the interesting things about accounting. There will be little technical accounting explained, other than to describe it in plain English. Accounting involves a lot more philosophy than you might think. Want proof? Zero comes from the Hindu idea of the void, of the essence of balance, of the Dark Side, if you want to get pop-culturey about it.

The first office mug I ever bought.

Accountants invented writing, money, international commerce, the middle class, and spreadsheets. When Genghis Khan would take over a city, the first people he’d send in would be the accountants. The Egyptians, the Babylonians, the Romans, the Tang dynasty–most of the huge empires and great civilizations thrived because of their accountants.

perhaps “E is for Embezzle”?

Truly, as Max Bialystock says to Leo Bloom in “The Producers”:

You’re an accountant! You’re in a noble profession! The word “count” is part of your title!

Get ready for 26 topics on the history, sociology, fun facts, and weird stories about Accounting, my noble profession.

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Lois Malou Jones: An Afro-Cubist-Modernist American Treasure

“The Ascent of Ethiopia,” 1932, Lois Malou Jones, Milwaukee Museum of Art.

Cubists were old white French dudes who painted blocky shapes in gray and brown, and there’d be a guitar in there, somewhere. They all seemed to have an African period, where they became enamored of African masks and imitated by flattening the faces in their paintings; then they moved on to something else. The impressionists used pastels, rarely vibrant colors. Didn’t the Harlem Renaissance meant jazz flowing from a briefly opened door in an underground speakeasy during Prohibition–maybe there was a gay poet in there, somewhere?

Lois Malou Jones has enlightened me.

I probably know a little more about modern art than the average person, as my mother taught classes on the subject, and our house was filled with Pollock prints (mine has O’Keeffe and Hopper). But I recently took a refresher class on modernism (OLLI is America’s best-kept secret and Jannie Dresser is the bomb-digitty of teachers). When we covered the Harlem Renaissance, I realized I knew very little about Black American modern artists and appallingly nothing about our American jewel, painter Jones.

Cultured, Educated, Ignored

Jones was born and raised in Boston; her parents were educated, and they, in turn, encouraged both her education and artistic development. She sold her bold and beautiful designs to department stores; she had a solo exhibit in Martha’s Vineyard at the age of 17. She apprenticed with designer Grace Ripley, and eventually created costume designs for the Denishawn dance troupe (Martha Graham was one of the students). After completing her degree at the School of the Museum of Fine Arts in Boston, however… you can guess the rest. One decorator told her that a “colored girl” couldn’t possibly produce such designs.

“Symbols d’Afrique,” 1980, Lois Malou Jones.
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