It’s a masterpiece I say! They will cheer every word, every letter!
from “The Egg”
Yep, the movie is full of historical inaccuracies. But as the Columbia Companion to American Film says, “few are very troubling.” The musical 1776 was produced in 1969, during the Vietnam War and the Nixon administration, although it wasn’t especially anti-war or preachy. (Other than the song “Cool Considerate Men,” which was clearly aimed at Republicans, or at least Nixon thought so because he pressured the producer, his friend Jack Warner, to cut it from the cinema version. Warner tried to have the negative destroyed, but someone saved it, and you can see them minuet ever to the right in the restored version. And the anti-slavery part… Anyway…)
The movie was politely applauded at the time, and now it has a cult following. We watch it every year for the holiday. The original musical was more enthusiastically greeted, as it won the Tony for Best Musical, even though the idea of staging the story of Congressional debate over the wording of a political document seemed foolhardy. Where was the romance? Where was the action?
It comes from the moment John Adams bangs open the door to Independence Hall and yells at his colleagues: I have come to the conclusion that one useless man is called a disgrace, that two are called a law firm, and that three or more become a Congress! To which they respond:
Sit down, John
Sit down, John
For God’s sake, John
Sit down!Samuel Chase:
Someone ought to open up a window!
It’s dramatic, it’s bold, it’s operatic, with Congressmen singing back and forth at each other, immediately debating hotly whether or not to let in the flies. Is that historically accurate? Surely, it must be! That’s the beauty of the film. Even if there isn’t proof for every single thing that happens–from Hopkins bullying the aide McNair to bring him rum or the delegates rushing outside when a fire wagon goes by or the stiff argument over about “unalienable” vs. “inalienable” –surely, most of these things happened.
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