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Spatchcock! Gesundheit…

The turkey is a truly noble bird. Native american, a source of sustenance to our original settlers, and an incredibly brave fellow who wouldn’t flinch from attacking a whole regiment of Englishmen single-handedly! Therefore, the national bird of America is going to be…
–Ben Franklin from the musical, 1776

Are turkeys noble? Or are they silly, vain and colossally stupid? Is their meat sleep-inducing?  Do they come from Turkey? And did the pilgrims really eat them on the First Thanksgiving?

Let’s sort myth from facts as we look forward with Great Anticipation to the big Eats and Dysfunctional Family Show, the Slidin’ into the Holidays, the Day before Black Friday, known in these United States as Thanksgiving.

First of all, Ben Franklin’s line from the musical 1776 is a mishmosh of truth and exaggeration. Franklin did write that the new nation might be better represented by a turkey than an eagle, which he did describe as a thief and a coward, a bird of mischief rather than nobility. In looking at early artwork of the national seal, he said the drawing looked more like a turkey than an eagle. He went on to laud the bravery of our native birds in facing down the British, though he called them “silly and vain” rather than noble. Whether they were brave, near-sighted, kamikaze, or just plain stupid is something history will never know. Continue reading “Spatchcock! Gesundheit…”

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Baryshnikov reads the phone book

I saw Mikhail Baryshnikov dance last week in Berkeley because art is a balm to the soul in troubled times, and last week was some troubled times. Baryshnikov is 68, though he doesn’t look a day over 59. Actually, he looks darn good and can still cause a swoon with a flick of the wrist.

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Baryshnikov in Wilson’s Letter to a Man

The performance was a collaboration he did with Robert Wilson, who created works with Philip Glass and Laurie Anderson. You can tell by those names that Wilson likes it modern and likes it surreal.  Which is fine except that surrealism turns out to be better if you have context.

Modern art has that feature. For example, I have always found cubism more interesting if I can discern the original model – a woman’s face, a guitar, a mountain. When the shapes become completely random, I lose the ability to appreciate what the artist was trying to achieve. The Salvador Dali with the melting clock is easier to think about than the Salvador Dali with the melting oblong blob. Labelled Untitled #4.  My reaction becomes Untitled #5.

Continue reading “Baryshnikov reads the phone book”

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The Right to Know Plus Canada

No blog today. Instead I will share a painting and important caption from Norman Rockwell from 1968.

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Norman Rockwell, “The Right to Know,” 1968

The text which accompanied the illustration in Look magazine read:

“We are the governed, but we govern too. Assume our love of country, for it is only the simplest of self-love. Worry little about our strength, for we have our history to show for it. And because we are strong, there are others who have hope. But watch closely from now on, for those of us who stand here mean to watch those we put in the seats of power. And listen to us, you who lead, for we are listening harder for the truth that you have not always offered us. Your voice must be ours, and ours speaks of cities that are not safe, and of wars we do not want, of poor in a land of plenty, and of a world that will not take the shape our arms would give it. We are not fierce, and the truth will not frighten us. Trust us, for we have given you our trust. We are the governed, remember, but we govern too.”

Continue reading “The Right to Know Plus Canada”