Movies/TV Archives – THE PAGE TURNS

February 26, 2025February 27, 2025

Campaigning for the Arts & the Oscars

The 1st Academy Banquet of 1929, designed by union-busting studio execs. Winners had been announced beforehand; many did not show. Wikimedia photo.

In the final week’s run-up to this year’s birthday party for Uncle Oscar, i.e. the 97th Academy Awards, there have been surprises, rumors, and scandals. In other words, the movie and awards business as usual. Each batch of pre-Oscar awards (SAG, BAFTA, Critics Circle) has led journalists to conclude that this movie or that movie is definitely gonna win because of some quasi-statistical calculation. Some of the nominations have been controversial. “The Brutalist” was slammed for using a little bit of AI-based technology. The “front-runner” for Best Actress made numerous racist and Islamophobic statements on social media a few years ago, so now has quasi-apologized, though what this has to do with her performance may seem head-scratching.

Personally, what I find most head-scratching is that movies which premiere in one theater for one day at the end of December can somehow be considered better than any other movie that is seen by the rest of us all year long. It seems like cheating. But then artistic contests have a history of cheating, campaigning, and judging biases. Patriotism, popular sentiment, and politics influence the voting. It’s not just in the movies. Classical art and classical music have also had their own versions of campaigns and contests. Let’s go back a few centuries and take a look.

October 17, 2024October 18, 2024

The Revolution Will Be Televised and (Saturday Night) Live

Movie poster from Saturday Night, by Sony pictures.

In October of 1975, most of the popular shows on television looked backward. The country was emerging from the chaos of the Vietnam War, the fall of the Nixon administration, economic misery, and civil rights protests. It should not be a surprise that the most watched shows were things like Laverne and Shirley, Happy Days, and the Waltons — misty-eyed nostalgia for the fun of the malt shop, the slapstick antics of the gals at the bottling plant, and the family bliss of the good ol’ Depression days. There were some controversial shows as well. A few groundbreaking comedies–All in the Family, MASH, Maude, and Mary Tyler Moore–all pushed the envelope in different ways. But more shows yearned for simpler times.

This was the environment in which Lorne Michaels pitched the idea of Saturday Night Live to NBC executives. The movie Saturday Night describes those precarious ninety minutes before the show first went on the air, when maybe it still might not have made it to the air. It’s a suspense-filled narrative, as Michaels (Gabriel Labelle) struggles with technical problems, network pressures, friction among the cast, too much content, and an impending sense of doom. If you’re under forty, you’ll find the behind-the-scenes narrative fascinating and wonder how the chuckleheads ever got this thing in front of the American public. But if you’re old enough to remember the times, you’ll find it holds a mirror up to what those times were really like. Some of the reviews which have criticized the movie as too mild were clearly written by those who don’t remember. I do.

June 16, 2024June 18, 2024

The Disney Treatment

A mix of reality, falsehood, emotional manipulation, and darned good storytelling. Photo is Disney promo materials.

If you see the new biopic Young Woman and the Sea–and I do recommended you see it–you should be aware that the actual James Sullivan, head of the American Athletic Union, was dead twelve years before the key events in the movie take place. It’s what ticks me off about these sports movies. What happened is fascinating in its own right, so why do they make up stuff? Why do they have to create false emotional tension, when the real tension is already in the story? And why do I cry every time when the athlete does the thing that I knew that they would do, all along?

Young Woman and the Sea is one of three Disney sports movies that I particularly like, the other two being Dangal and McFarland USA. All three might be termed shamelessly manipulative, but perhaps that’s the nature of our response to humans overcoming obstacles. In this post, I will point out some of the good and the bad about these movies, set the record straight for the “um, actually” crowd, but still give these all a thumb’s up. They deserve watching.

Historical Inaccuracy

Young Woman is about Gertrude “Trudy” Ederle, the first woman to swim the English Channel in 1926. Without giving away too many spoilers, fact checking of the movie details reveals that Trudy did have a near-death case of the measles as a child (vaccinate people!), she did swim with her sister, and her “coaches” did work to disqualify her in her Channel swim, though not the way the movie showed. And she did have a giant ticker tape parade, one of the biggest ever in New York.