The Olympics start in nine days, but this is not–strictly speaking–a post about the Olympics. This is a reflection prompted by seeing the movie, I Tonya, which cleverly insinuated itself into movie screens early enough to put itself in Oscar contention for 2017 but late enough to be seen right before the start of the Pyeongchang Games. The mockumentary-style film is worth seeing as a drama even if you’re not a skate fan. It also reveals the quirks in skate judging that result in odd results, perhaps to Harding, but to so many more that Olympic skate results are practically a conveyor belt of unfair outcomes.
Bashing Someone’s Hopes
Margot Robbie is terrific as Tonya Harding*, the powerful but feisty skater who won the U.S. Nationals but wanted more. Her manipulative and abusive husband launched a plot to scare her competition and his cretinous cohorts improvised with a crowbar to Nancy Kerrigan’s knee. Harding became a national joke and an international disgrace. I thought the film clearly showed Harding’s culpability in covering up the plot after the fact, lying to the FBI, and suing to keep her Olympic spot.
But afterward I heard some say that they thought the movie showed Harding was robbed, that she should have won a medal, shouldn’t have been pilloried by the press, and deserved more. Harding’s interview with the New York Times this month suggests she still thinks she was mistreated. The film–assuming its accuracy–does make one thing clear: when you are abused by your loved ones, as Harding was by her mother and husband, you come to feel that the world is against you and that you bear no responsibility for whatever happens. Continue reading “Figure Skating’s Trail of Broken Dreams”