The Disneyfication of Ozymandias

My name is Ozymandias, King of Kings;
Look on my Works, ye Mighty, and despair!
Nothing beside remains. Round the decay
Of that colossal Wreck, boundless and bare
The lone and level sands stretch far away.

“Ozymandias” sonnet by Shelley
In 2017, a statue of Ramses II was discovered in the slums of Cairo. AP Photo.

I’m starting to feel like the grumpy old man next door when I go to museums. Case in point: this week’s sojourn to see the “Ramses the Great and the Gold of the Pharoahs” exhibit, at the De Young Museum in San Francisco. I was decidedly underwhelmed. Or, perhaps I should say overwhelmed by the crowds of people in small spaces, coupled with constant video and barking audio displays, to the point where it was hard to stand and just take in the 3200-year-old artifacts. I am such a history buff that I thought I’d be a little more impressed, so why wasn’t I? I have a theory, plus an important museum hack to share.

Part of the “Ramses the Great” touring exhibit, photo by kajmeister.
Continue reading “The Disneyfication of Ozymandias”

All the Unfit Kings and Riot Grrlz

It’s time to go back and see some live theater! Even if it’s on film.

We took a long weekend to trek up to Ashland for three plays, so if you’re thinking this is like free advertising for Oregon Shakespeare Festival, you’re probably right. But the performances were excellent, and all three have been filmed. If you can’t make the trek up to the rolling hills of the Rogue River Valley before the seasons ends,  then you can watch the films live next weekend or on demand. Check out the options here.

My particular goal was to get my bingo card punched, which is to say that I had seen 36 of the 37 plays of Shakespeare and was only missing “King John.” (You’re going to point out that “The Two Noble Kinsmen” makes it 38 plays, and I’ll counter that it’s never staged and besides, John Fletcher co-wrote it. If you find a version of it somewhere, send me a link, and I’ll watch it.  Meanwhile, I’m calling B-I-N-G-O.) And Shakespeare was his name-o!

Who Wants to Play a Weenie?

We were speculating as to why “King John” is almost never staged, when the history play that precedes it, “Richard III,” is done all the time It may be the nature of villainy in the central character. Even though Richard is one of the worst scoundrels that ever walked a stage, he controls his own destiny. He pillages, rapes, and murders with glee. A good actor will get the audience laughing at his roguish charm, while Richard woos his enemy’s widow or plans the assassination of the princes in the tower. Don’t believe me? Watch the Ian McKellen 1995 “Richard III.”

Continue reading “All the Unfit Kings and Riot Grrlz”

W is for Window Painting

Cosmé Tura, Virgin & Child 1453. Photo from wikimedia.

First of all, on the surface which I am going to paint, I draw a rectangle of whatever size I want, which I regard as an open window through which the subject to be painted is seen.

Leon Battista Alberti

Fenestra aperta. The window to the outside. It seems such a simple idea to paint light falling into a room, a mirror on the wall, or a landscape through a window. But it was new in the Renaissance. Windows themselves were changed, and the new technology and advances in understanding of mathematics spilled into painting.

STEM becomes Art

Alberti—architect, philosopher, and artist—was as famous for his ideas as his creations. But his idea about painting through the window inspired many of the painters who came after, from Da Vinci to Raphael. He was helping create the new idea of perspective, to help artists think of their canvas as a reflection of the world outside. But to be able to use that idea required a simple thing: the ability to see through the window.

Enter the Venetian glass makers: the guild, the island of Murano, sequestered and jealously guarding their secrets. I’ve mentioned before that the glass makers were a monopoly. The artisans were wealthy, but you could not leave the guild. Assassins were dispatched if a glass maker left with the secrets. Glass making technology improved significantly the early Renaissance, often shown in museums as elegant and sophisticated glass objects from Murano. But, just as significantly, the technology led to thinner, clearer glass–for windows. Everywhere.

Murano glass, revered for delicacy, also would lead to better windows. Photo by kajmeister.
Continue reading “W is for Window Painting”