Warning: Contains potential Spoilers from Shakespeare, A Christmas Carol, Pride & Prejudice, and Game of Thrones
It’s summer; it’s time for Shakespeare. There’s Shakespeare in the park, Shakespeare in your local theaters, and plenty at your local library. Go watch some! (although you have my permission to skip over Hamlet, Othello, King Lear, Coriolanus, Titus Andronicus, and Australopithecus.) The library will surely have an excellent version A Midsummer Night’s Dream. How can you beat Titania in love with Bottom who has been transformed into a donkey… “methought I was enamoured of an ass….”?
Our favorite tales – the ones that resonate with our modern sensibilities – are stories of reconciliation and redemption. I recently watched an excellent version of Shakespeare’s The Winter’s Tale under the stars that showed the power of people seeking and receiving true forgiveness stands at the heart of our most beloved stories.
We learned in school that Shakespeare wrote Comedies, Histories, and Tragedies. For years, the way I remembered the comedies and tragedies were by the ending – people dead? Tragedy. Wedding? Comedy. Unless there’s “King” in the title, then it’s a History. Now, please note it was people who came after the playwright who created the categories. Shakespeare wrote whatever the hell he* wanted, then later on people grouped and interpreted and analyzed them ad nauseum. Many of the tragedies have funny elements and many of the comedies have very dark themes. Continue reading “Exit, Pursued by a Bear”